 Reflection about Art Institute Visit
                                                       Reflection about Art Institute VisitThis Wednesday we visited Art Institute as a class of Art Appreciation. Last year I visited it with my husband after we just came here from China. We stayed in it nearly a whole day. However, it was a new experience for me to visit it again as a student of Art Appreciation at this Wednesday. Gitte divided us into many groups. Two persons joined together as a group. My partner is Nadja.
 When we came to the 201, the central piece of the gallery which it attracted our eyes is Gustave Caillebotte’s Paris Street; Rain Day. At that time, Gustave Caillebotte was a very young impressionism artist. He was good at painting leisurely side of modern life. It was a typical impressionism relaxed subject. The elegant composure of the figures appear as urban icons in the painting.
              When we came to the 201, the central piece of the gallery which it attracted our eyes is Gustave Caillebotte’s Paris Street; Rain Day. At that time, Gustave Caillebotte was a very young impressionism artist. He was good at painting leisurely side of modern life. It was a typical impressionism relaxed subject. The elegant composure of the figures appear as urban icons in the painting. In 391 I chose French Andre’ Derain’s Forest at Martigues. This painting is a kind of childish large brush but is full of dynamics.
          In 391 I chose French Andre’ Derain’s Forest at Martigues. This painting is a kind of childish large brush but is full of dynamics. In 393 I admired Gabriele Munter’ Still Life with Queen. Her beautiful color attracted me. This painting expressed the status of her life and the avant-garde at that time.
                In 393 I admired Gabriele Munter’ Still Life with Queen. Her beautiful color attracted me. This painting expressed the status of her life and the avant-garde at that time. In 396 I was attracted by France Pierre Bonnard’s The Seine at Vernonnet. The color of this landscape is soft and large brushsteak
                In 396 I was attracted by France Pierre Bonnard’s The Seine at Vernonnet. The color of this landscape is soft and large brushsteak The last Nadja and I made a representation about France Balthus’ Girl with Cat. I knew that the most of his work consist of painting of people in different angles. This position is very difficult to paint. The painting which I posed here is not the same painting which it was in the Art Institute. This painting looks like a reworking base on and is more ingenious than that one which it is in the Art Institute. The girl is a profile in this painting, whereas face to visits in that one. Nadia made a good speech about this painting’s shape, light and color. At last, we made a little poem to end our representation.
                  The last Nadja and I made a representation about France Balthus’ Girl with Cat. I knew that the most of his work consist of painting of people in different angles. This position is very difficult to paint. The painting which I posed here is not the same painting which it was in the Art Institute. This painting looks like a reworking base on and is more ingenious than that one which it is in the Art Institute. The girl is a profile in this painting, whereas face to visits in that one. Nadia made a good speech about this painting’s shape, light and color. At last, we made a little poem to end our representation.Girl
Beautiful quite
Relaxed dreamy peaceful
In the other hand
Deeply hide dark
Foxy greedy
Cat
 
Yue, I just found your blog. Very thorough reflection! Great job!
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