Don Eddy. New Shoes for H
This painting was drawing in the 1973- 1974 by Don Eddy whose obstreperous spirit let him look beyond abstraction and developed his own innovative responses to early modernism. He was a typical artist of Photorealism. He used photograph as the subject of itself painting instead of photograph as the sketch of the primary way of gathering visual information. In this painting, Don Eddy created fascinated result by window’s transparent and reflective with the double layer of information that the windows offered. His painting looks like picture, but its hallucinatory is over the picture. I am attracted by this fascinating design, creative mind and striving to make inventions. His successful experience led to understanding of the traditions as a formal discipline and personal expression as a powerful form. It can open the door to innovation.
This painting was drawing in the 1973- 1974 by Don Eddy whose obstreperous spirit let him look beyond abstraction and developed his own innovative responses to early modernism. He was a typical artist of Photorealism. He used photograph as the subject of itself painting instead of photograph as the sketch of the primary way of gathering visual information. In this painting, Don Eddy created fascinated result by window’s transparent and reflective with the double layer of information that the windows offered. His painting looks like picture, but its hallucinatory is over the picture. I am attracted by this fascinating design, creative mind and striving to make inventions. His successful experience led to understanding of the traditions as a formal discipline and personal expression as a powerful form. It can open the door to innovation.
This photorealistic painting is fascinated. We can see like we never see in front of a store, in transparence and in reflect. We have to go in the painting to understand it.
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