
The story began in the south China in the 1910s. A girl was sold to the brothel by her uncle, because her parents all died of the disease. This girl was Yuliang who was thirteen years old at that time. At her seventeen years old, she was brought back by Mr. Pan, and she became Mr. Pan’s concubine late. For being deeply grateful to Mr. Pan, she changed her name to Pan, Yuliang. She moved to Shanghai follow her husband. In Shanghai she met her husband’s friend who was a artist. She was fond of painting by his influence, and she showed her talent for painting soon. In 1918, she was enrolled in Shanghai Fine Arts School to learn western painting. After graduating from the school, she went to France, and entered in Paris National Fine Arts School. In 1928, she returned home after finishing her studies, and she was appointed to the professorship of western painting in Shanghai Fine Arts School. However, because of her history, she was had a low opinion by most people, and her painting exhibition aroused a public outcry. Her gallery was smashed by someone. She couldn’t bear this insult. She was forced to leave her husband and went to Paris again.In Pairs, She was immersed and devoted to her favorite painting. With dense artistic culture atmosphere there, she created many paintings with different themes. She died in France at age of 83.
Her style of painting was a good combination of Chinese and Western elements and lines and color elements.







When we came to the 201, the central piece of the gallery which it attracted our eyes is Gustave Caillebotte’s Paris Street; Rain Day. At that time, Gustave Caillebotte was a very young impressionism artist. He was good at painting leisurely side of modern life. It was a typical impressionism relaxed subject. The elegant composure of the figures appear as urban icons in the painting.
In 391 I chose French Andre’ Derain’s Forest at Martigues. This painting is a kind of childish large brush but is full of dynamics.
In 393 I admired Gabriele Munter’ Still Life with Queen. Her beautiful color attracted me. This painting expressed the status of her life and the avant-garde at that time.
In 396 I was attracted by France Pierre Bonnard’s The Seine at Vernonnet. The color of this landscape is soft and large brushsteak
The last Nadja and I made a representation about France Balthus’ Girl with Cat. I knew that the most of his work consist of painting of people in different angles. This position is very difficult to paint. The painting which I posed here is not the same painting which it was in the Art Institute. This painting looks like a reworking base on and is more ingenious than that one which it is in the Art Institute. The girl is a profile in this painting, whereas face to visits in that one. Nadia made a good speech about this painting’s shape, light and color. At last, we made a little poem to end our representation.



